The King Stones Veranstalter

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The King Stones

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The King Stones - 15. Oktober 2016 @ Theater am Rand

Angaben ohne Gewähr. Older posts. Most of them are in a bad condition, but the stones made in. This site is a part of Fandom, Inc.

The strange shape of this standing stone likened to a seal balancing a ball on its nose has less to do with weathering effects than the destructive habits of 19th century souvenir-hunters and by legend, cattle drovers who chipped off small pieces to act as lucky charms to keep the Devil at bay.

The serious damage caused by such vandalism was one of the reasons why legal protection for ancient remains was introduced in , the Rollright Stones being among the first monuments to be put into the guardianship of the state.

The railings round the King Stone were erected soon afterwards to prevent further damage, and between c. In , inspired by the legend of the Witch and the King, the environmental artist David Gosling created a wooden sculpture of a witch.

This was made of the branches of Wellingtonia trees that were donated by The National Trust's Compton Verney property, and held together with wire.

The Rollright Stones are located on the contemporary border between the counties of Oxfordshire and Warwickshire , two-and-a-half miles north-northwest of the town of Chipping Norton , and one-and-three-quarters of a mile west of the smaller village at Great Rollright.

Geologically, this ridge had been formed from Chipping Norton limestone, itself a variant of the Great Oolite series of Jurassic limestone.

These coincided with the introduction to the island of domesticated species of animals and plants, as well as a changing material culture that included pottery.

These developments allowed hunter-gatherers to settle down and produce their own food. As agriculture spread, people cleared land.

At the same time, they also erected the first monuments to be seen in the local landscape. Such activity has been interpreted as evidence of a change in the way people viewed their place in the world.

During the Early and the Middle Neolithic large megalithic tombs were constructed across the British Isles.

Because they housed the bodies of the dead, archeologists have typically believed these tombs to indicate rituals around death and ancestor veneration by those who constructed them.

Such Neolithic tombs are common across much of western Europe, from Iberia to Scandinavia. The practice was likely brought to the British Isles along with, or roughly concurrent to, the introduction of farming.

During the Late Neolithic, British society underwent a series of major changes. Between and BCE, these prehistoric Britons ceased their continual expansion and cultivation of wilderness.

Instead they settled and farmed the most agriculturally productive areas of the island: Orkney, eastern Scotland, Anglesey, the upper Thames, Wessex, Essex, Yorkshire and the river valleys of The Wash.

Late Neolithic Britons also appeared to have changed their religious beliefs, ceasing to construct the large chambered tombs that archeologists widely think were connected with ancestor veneration.

Instead, they began the construction of large wooden or stone circles, with many hundreds being built across Britain and Ireland over a period of a thousand years.

The Rollright Stones are three separate megalithic monuments, constructed close to one another during the later prehistoric ages of the Neolithic and Bronze Age.

These local terms have since been adopted by archaeologists and heritage managers. Fragments of stone used in the construction of the monument underwent a petrological examination at the British Museum in London, where it was established that they were a form of oolithic limestone that was local to the area around the Rollrights.

He noted they had certain weathering patterns which were consistent with those found on surface boulders. The gradient averages about 1 in 15 on the shortest routes, for either metres for the Whispering Knights , or metres for the King Stone and King's Men.

Basing his ideas upon experimental archaeological investigations performed at Stonehenge, [13] Lambrick suggested that the prehistoric workers who hauled the stones uphill would have made use of wooden sledges.

They may have used timber rollers beneath the sledges, in order to reduce the manpower needed to drag the sledge. In comparison to that required for many other monuments, he concluded that the time and labour investment would have been "trivial", and would not have stretched local resources in terms of manpower.

In addition, they uncovered a few pieces of Neolithic pottery around the monument. Writing in , the antiquarian William Stukeley described the Whispering Knights as sitting upon a round barrow , something which Lambrick accepted as being "reasonable in the context of a portal dolmen".

But, he cautioned against accepting such an explanation too readily. He suggested that a "mound-like effect" could have been created at the base of the monument if ploughing in later centuries had led to the accumulation of soil around the dolmen's uphill side and the removal of it on the downhill side.

Lambrick noted there was a possibility that some of the stratigraphic layers "may represent the base of some sort of cairn" around the Whispering Knights.

Lambrick believed that raising the capstone on the Whispering Knights would have been the hardest task of the Rollrights' construction. He said it was "analogous" to the raising of the lintels on Stonehenge.

He suggested that the builders had constructed a ramp out of "collected stones", which was "placed against the back of the chamber".

The capstone was then "hauled up on rollers, probably running on logs embedded longitudinally in the ramp", in order to get it into position.

After undertaking limited excavation at the circle in the s, Lambrick concluded that when it had been originally erected, it would have been a "more perfect circle" than it is today.

He thought that each of the stones would have touched one another, creating a continuous barrier all the way around.

He also speculated that the monument's builders intentionally placed the smoother sides of the boulders to face inwards. The outer facing sides are predominantly rougher in texture.

Resistivity and magnetometry surveys undertaken during the s revealed four magnetic anomalies within the centre of the circle, possibly representing "pits related in some way to local ground surface undulations and the presence of localised burning.

He said that it was a possible original prehistoric feature, although accepted it may equally have been the result of refuse deposited in the Romano-British period, or tree-planting holes.

Meanwhile, archaeological excavation revealed that there was "no indication" of there having been "a substantial ditch" either inside or outside the bank on which the stones were positioned.

Making an estimate of the time and manpower required for this project, Lambrick concluded that each of the King's Men could have been constructed by a team of ten or twenty depending on the size of the stone in about two-and-a-half hours.

He noted, however, that the time could have been reduced if the workers had been divided into two groups for some of the smaller stones. Concluding his examination of this issue, he argued that "83 journeys by the whole team would have been required, giving an actual construction time of c hours, or manhours.

This would have been about three weeks' work for around twenty workers. Since the late 19th century, the monument has been in part a reconstruction.

In , the owner of the site re-erected around a third of the stones that had previously fallen. Some were moved from their original positions. Lambrick doubted that more than two of those currently standing were modern additions.

Four of the other, smaller additions were stolen by vandals in the 20th century. The King Stone is a single, weathered monolith , 2.

Unlike the other two of the Rollright monuments, it is of uncertain date. Lambrick catalogued six distinct hypotheses that had been presented by antiquarians and archaeologists over the preceding centuries and evaluated their likelihood.

Some of these argued that it had been positioned in relation to the King's Men stone circle, with others instead suggesting that it was a component of a long barrow or other burial site.

Lockyer and Thom suggested that the King Stone had been an astronomical marker that may at the same time have had a relation to the ceremonies being undertaken at the King's Men.

Lambrick dismissed any astronomical significance as unlikely, because the Stone aligns only with the rising of the star Capella as it would have appeared circa BCE.

He notes there is no evidence that late prehistoric Britons valued the stars as important; they did build several of their monuments to have solar or lunar alignments.

Megalithic specialist Aubrey Burl in suggested that the King Stone had been a landmark or guidepost designed to mark the position of the King's Men.

Again, Lambrick disagreed with this, saying that its "position and orientation make it too inconspicuous to be satisfactory as a marker for anyone approaching the circle either along the ridge or from the alleys either side.

But Lambrick thought this unlikely, as no other archaeological evidence exists for such an avenue, and it would have been poorly aligned with the circle.

Other researchers had suggested that the stone was once a part of a long barrow. But Lambrick's archaeological investigation in the s failed to reveal any other evidence for such a monument.

Two stones immediately outside the ring one fallen mark the portalled entrance to the circle opposite the tallest stone.

The Stones stand in a very low bank with a wide gap on the same side as the entrance, possibly resulting from the interior being levelled.

There are also a few in eastern Ireland. It is therefore likely that the people who built the King's Men came from one of those areas.

When they felt the need to build a stone circle for ceremonial gatherings, they designed it to be in the architectural form that was most familiar to them.

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